Thursday, July 30, 2009

PG48 Vocal Microphone




PG48 Vocal Microphone

An excellent performance microphone for spoken word applications.

The PG48-QTR includes a 15 ft (4.57m) XLR to 1/4" Cable, Microphone Clip, 5/8" to 3/8" Thread Adapter, and a Storage Bag.

The PG48-XLR includes a 15 ft (4.57m) XLR to XLR Cable, Microphone Clip, 5/8" to 3/8" Thread Adapter, and a Storage Bag.

The PG48-LC includes a Microphone Clip, 5/8" to 3/8" Thread Adapter and a Storage Bag.


Features

* Tailored frequency response is smooth and extended. Tuned specifically for vocal applications.
* Cardioid polar pattern picks up the most sound from in front of the microphone and some sound from the sides. Less susceptible to feedback in high volume settings.
* Dynamic cartridge has a simple, rugged coil. Handles extreme volume levels without distortion.
* Cartridge includes a neodymium magnet for high output level.
* Durable metal construction.
* On/off switch for onstage control.
* Steel mesh ball grille with integral "pop" filter reduces explosive breath sounds and wind noise.

Wednesday, July 29, 2009

Seven models of Brian May's signature sounds that rocked the world

Left-facing

Seven models of Brian May's signature sounds that rocked the world.

DigiTech has built in 7 signature models with 14 distinctive, highly-sought-after tones. Models are named after famous Queen songs that featured Brian's guitar:
1. Keep Yourself Alive
2. Bohemian Rhapsody
3. Tie Your Mother Down
4. We Will Rock You/Champions
5. Crazy Little Thing Called Love
6. Brighton Rock Solo (Live)
7. Deacy Tone/A Winter's Tale


Distinctive, sought after tones include: Red Special Guitar, Treble Booster, Deacy Amp, Vox® AC30, Foxx Foot Phaser™, Pickup Configurations, Delay, Reverb, Flanger, Acoustic, Tele® and more

Integral hard-wired dynamic analog treble booster.

Guitar knob lets you optimize Red Special Pedal's voicing to suit your guitar's pickups.

Flexible Output Mode™ — Mono amp or Mixer and Stereo Mixer and Stereo Amp.

Includes embroidered bag, Brian's plectrum of choice, a British Sixpence and power supply.


Sunday, July 26, 2009

BD-2: Blues Driver

http://cms.rolandus.com/assets/images/products/main/bd_2_top_tn_thumb.jpg

Features

The BD-2 Blues Driver delivers the creamy, yet crunchy sound associated with great blues guitar. This popular pedal provides instant access to the kind of warm overdrive and emotive distortion usually reserved for 30-year-old tube amps.

  • Classic "blues" guitar tones with tube amp simulation
  • Warm distortion and overdrive
  • Responds to nuance and volume changes
  • AC adaptor or 9V battery operation
  • BOSS 5-year warranty

Thursday, July 23, 2009

Cymbal info

Types of cymbals

Chinese: Chinese cymbals feature an upturned edge that gives these models a raw, Oriental sound. They are played for 'effect', offering dirty ride sounds on short, dirty punches when played for accents.

Crash: Ranging from 12" to 20". Crash cymbals are designed for accenting or 'crashing'. Thinner models are more 'explosive', heavier models more direct and powerful.

Crash Ride: These are medium-thin cymbals, available in sizes 18 and 20 inches in diameter. They are suitable for both crash work as well as sustained ride cymbal playing.

Flat Ride cymbals have no bell and generate a clean and precise ride articulation with a shimmering yet defined sound. They are best utilized in a jazz setting, when a clear sound is desired. (i.e. piano trios, vocalists, jazz guitar, etc.)

Hi-Hats: Ranging from 10” to 15” (14” is most popular). A pairing of two cymbals on a pedal-operated hi-hat stand. Close the cymbals for playing tighter, more definite sounds; open for bigger, louder sounds; or alternate open and closed to play interesting patterns.

Ride: Ranging from 18" to 24" (20" is most popular). The ride is the main cymbal for playing rhythms and grooves. Play the bell area for bright, crisp notes or across the bow for bigger sounds. Heavier models produce more definite sounds.

Sizzle: 18 to 22 inches in diameter, in which holes are drilled and rivets are installed to give a sizzling or buzzing type of cymbal sound.

Splash: Ranging from 6" to 12". Splash cymbals are played for fast, 'splashy' accents of short duration.

Swish: Usually 18 to 22 inches in diameter, with an almost inverted profile. Swish cymbals normally have rivets installed to give a Chinese tonal effect and are especially useful in playing Big Band arrangements.

Buying Guide

Electric Guitar Buying Guide

Electric Guitar Buying Guide


Electric_Guitars

Posted 2008-12-01


As with any musical instrument purchase, buying an electric guitar can be a challenge with so many different types of guitars, different skill levels of the guitarist, different price points, and different genres of music out there. The key to shopping for guitars is to know who will play it, know your budget, and know what's out there.

Know The Guitarist

Are you shopping for a new electric guitar for yourself, for a child, for a friend? How long has this person been playing? What types of music do you think they will want to play the most? Do they have any preferences already? These are some of the questions you will want to ask yourself before heading out to check out what's available in the musical instrument marketplace.

Know Your Budget

Probably the best way to find a good deal is to know exactly what you can spend before you start looking. Set a budget. It's a lot easier to compare prices and features when you know where the line is drawn in the checkbook. Electric guitars can be found for as little as $100, or as much as $20,000 - or more - so obviously price is a very important factor. There are also certain brands that are focused on different pricing segments. For instance, the Squier brand from Fender is designed to be a lower cost, entry-level electric guitar brand. Many models can be found for right around $200, which is a great place to start if you're shopping for someone who is just starting out. If it's a more accomplished player you're shopping for, you should start looking in the $500 to $1000 range. Fender (who makes Squier), also has guitars in higher price ranges, but there are many other competitors in this pricing segment as well such as Epiphone, Jackson, ESP's LTD line, Yamaha, Schecter and others. Obviously, if you have the money to spend, and the person you are shopping for is quite accomplished, or is a collector, you will want to look in some of the higher priced ranges that are over the $1000 price point. Some brands in this range are Gibson, Paul Reed Smith, Zemaitis, and others.

Some Tips on Buying an Electric Guitar From Our Readers

Get what you really want even if it's a little more expensive. Sure, you're going to have a budget, but how many times have you gone and purchased something only to regret later not spending a few more dollars for something nicer. Don't make that mistake the first time. Get what you want. It's a lot easier to pay something off that you really like, than something you're not totally thrilled with. - Dave L., St. Louis, MO, USA

Do some research on the guitarists from the bands that play the music you really like. Chances are, you'll be able to find a wealth of information on what they play on the web. This can help you identify a few guitars you may not have originally thought of. Also, how cool would it be to play the exact guitar that a famous guitarist used on hit recording? - Nelson P., Birmingham, England, UK

Don't just consider solid bodies. There are also hollow-bodies and semi-hollow-body electric guitars out there. While a hollow body is basically an acoustic with pickups perhaps thinner, a semi-hollow body is thinner yet, has better sustain and can be played at higher volume levels without creating feedback. - Frank M., Portland, OR, USA

Just as in other types of guitars (acoustic,classical), the wood used in construction can make a huge difference in the sound of your electric guitar. Maple, Alder and Poplar are two very popular woods used in the construction of electric guitars. - Jeff C., Erie, PA USA

Pickups are the mechanisms by which the string vibrations are "picked up" and transmitted through the electric guitar cable to the amplifier. As you might imagine, they have a significant impact on the sound. If you are looking for a guitar that can play a nice clean tone, you will want to consider single coil pickups. This might be handy for someone that will be picking a lot of chord progressions, or playing music such as jazz, pop, or country. If you are looking for a guitar that can generate some screaming guitar solos and punchy power chords, such as those found in some hard rock and heavy metal music, you're going to want to look for an electric guitar that includes paired single coil pick-ups or humbuckers as part of the onboard electronics. Humbuckers were originally developed to eliminate the noise that can sometimes be evident with single coil pickups, as the two opposing single coils will cancel out feedback between them, or buck them hum. In the best case scenario, the electric guitar you choose may have both single coils and humbuckers and allow you to switch between or mix the responses from them into the final tone. - Matt S., Charleston, WV, USA

Another important feature to consider for the guitar you select is the neck. Just like every guitarist has different musical genres he or she likes, and different skill levels and abilities, everyone has different hands. Necks come in various shapes and sizes. Thin necks can be very fast and helpful for those who would like to play really fast, but thicker necks might be comfortable for playing chords over longer periods of time. It's important to know what is comfortable to you, or the person you are shopping for, so take some time to figure this out before making your final purchase. - Gary K., Cherry Hill, NJ, USA

While you can find decent electric guitars for just a few hundred dollars, you really get into a sweet spot when you're looking in the $1000 - $2000 range. Anything less than that is likely to be made from cheaper materials and, of course, cheaper labor (imported). Anything more than that is probably going to have some nicer features and trims, but probably won't sound a whole heck of a lot better. We recommend this price range to really get the best value for your money in a guitar. - Bryan A., Charlotte, NC, USA

If you have some tips for purchasing an electric guitar, please email them to us through the contacts page and we will review for posting here!

Rickenbacker 360/12 12-String Semi-Hollowbody Electric Guitar

large product image
The world's most popular 12-string electric guitar boasts all of the deluxe features of its Model 360 cousin. A standard for recording for more than 30 years, its haunting, melodic chorus has continued to benefit from evolution. The slimmed and re-contoured neck now makes model 360/12 easier to play than ever.

Technical Info

Body Type: Semi-Acoustic

No. Frets: 24

Scale Length: 62.9 cm (24-3/4")

Neck Width at Nut: 41.3 mm (1-5/8")

Neck Width at 12th Fret: 49.2 mm (1-15/16")

Crown Radius: 25.4 cm (10")

Body Wood: Maple

Neck Wood: Maple

Fingerboard Wood: Rosewood

Weight: 3.6 kg (8.0 lbs.)

Overall Length: 101.6 cm (40")

Overall Width: 38.1 cm (15")

Overall Depth: 38.1 mm (1-1/2")

Neck Binding: Yes

Fret Marker Style: Triangle

Tailpiece: "R"

Bridge: 6-Saddle

Neck Type: Set-in

No. of Pickups: 2

Type of Pickups: Hi-gain

Output Type: Mono and Stereo

Machine Heads: Schaller

Drum sets

Big Drum Sets?

Lets talk drum sets
Drum sets can come in many different configurations, drum sizes with or without hardware and or the cymbals. The most common drum sets are the 4 piece, the 5 or 6 piece, and the bigger 8 or 9 piece double bass drum sets.

4 piece drum sets
The classic 4 piece drum sets are considered to be the standard for most styles and applications. From live concerts to studio recording sessions they serve as the essential base for any drum setup. The most common set includes a 5 inch snare drum, 14 to 20 inch single bass drum, 14 to 16 inch floor tom and 8 to 13 inch rack tom. The classic 4 piece drum sets usually don't come with any hardware or cymbals and can cost from $500 up to $5000 and in some rare cases even more.

5 and 6 piece drum sets
A typical 5 piece drum set, consists of a 5-1/2 inch snare drum, 20 or 22 inch single bass drum, 12 inch and 13 inch rack toms and a 16 inch floor tom and come with a 14 inch Hi Hat, a crash cymbal, a ride cymbal along with the corresponding stands, kick drum pedal and in some rare cases even a drum throne. A 6 piece drum set is usually made by adding an 18 inch floor tom or a 10 inch rack tom to the 5 piece kit configuration.

8 and 9 piece big drum sets
An 8 piece drum set is usually based on the standard 5 piece drum kit with 2 additional rack toms and a second bass drum. The typical 8 piece drum set configuration includes a 5-1/2 inch snare drum, two 18 or 20 or 22 inch bass drums, one 16 inch floor tom and four rack toms (most common rack tom sizes are 10", 12", 13" and 14"), two bass drum pedals, one crash cymbal, one ride cymbal, a hi hat and the corresponding stands. 9 piece big drum sets usually come with two floor toms (16 inch and 18 inch) along with two bass drum pedals and two crash cymbals, a ride cymbal, a hi hat and the corresponding stands.

Some people also refer to the 8 and 9 piece drum sets as "double bass drum sets" or "big drum sets". Note that it is not necessary to have a big double bass drum set to play double bass rhythms, for instance double bass drum pedals can be used to play double bass rhythms on a single bass drum. Double bass and or big drum sets are most commonly used in Rock and Heavy Metal music, although sometimes they are also employed by Jazz and Fusion drummers, examples are Louis Bellson and Dave Weckl.

Even bigger, 10, 11 and 12 piece big drum sets
The 10 or 11 piece, and bigger drum sets are essentially the 8 piece drum sets with some additional rack and floor toms. Common configurations would be the 5 or 6 inch snare drum, two 20 to 22 inch bass drums, one or two floor toms (16 and 18 inches) and rack toms with sizes of 8, 9, 10, 11,12, 13 and 14 inches, two bass drum pedals, two or more crash cymbals, a ride cymbal, one or two hi hats and the corresponding cymbal stands.

Big drum sets? or Huge drum sets?
Theoretically a drum set is not limited to a certain amount of drums, and can consist as many drums, cymbals and percussion pieces as a drummer will need for a certain performance. A bright example of such a big setup would be the Terry Bozzio's drum sets, - they usually include more than 30 drums along with over 15 drum pedals, more than 30 cymbals and a lot of other percussive additions. - Now that's one hell of a big drum set!

Sunday, July 19, 2009

Nexus at Rotosound

Rotosound launches Nexus coated string range

British string manufacturer Rotosound has a rich history of manufacturing the best, most innovative strings in the business. The company has brought all their expertise, knowledge and experience together to launch the new Nexus coated range of strings.

After extensive research and development, Rotosound has developed a unique microscopic coating process which adds a flexible, protective, black coating to the new Nexus range of strings. The special black polymer coating helps prevent contamination and corrosion, significantly extending the life of the strings. It is silky smooth to the touch and most importantly produces a tone that has to be heard to be believed.

The bass strings have a black polymer coat set over a Type 52 pure nickel alloy wrap. This gives rich mid-tones and offers an alternative to steels with high presence. The gauges available are 40, 60, 80 and 100, and 45, 65, 85 and 105. A single Low B (130) will also be available for five string bass players.

Guitar Strings
NXE9 Electric Guitar Strings

The Nexus Acoustic sets are clear polymer coated wound, gold series plain strings with a phosphor bronze base. This gives enriched highs and gentle mid-tones and comes in three gauges: 10s, 11s and 12s.

In the electric range new Nexus strings also have a black polymer coating over nickel alloy. This adds a lot of warmth compared to conventional nickel strings. There are two sets available here: 9s and 10s.

With fifty years of heritage and legions of fans worldwide, Rotosound take great care to ensure it’s strings live up to the Rotosound reputation. All the strings are manufactured using the finest quality raw materials and made to the strictest quality control standards. Every string is hand checked for consistency of winding, colour, feel and general quality before being passed, and only then is it worthy of carrying the Rotosound name.

For more information, please visit http://www.rotosound.com/

Fortin

Fortin Amplification releases the MEATHEAD 6-channel MIDI Tube Guitar Amp

The MEATHEAD serves up a massive 6 course meal with 6 channels of meaty MIDI programmable tones. Everything from warm luscious clean tones, barking British raunch, corpulent singing lead tones to punishing modern high gain mayhem is at your command. Feature packed with a simple & intuitive layout for ease of use. Just like our other amps, it retains all the detail of your instruments and playing dynamics. The MEATHEAD is designed for emerging musical styles and pushing the boundaries of guitar amplification.

Each of the MEATHEAD channels has a Gain, Volume, 3 way Bright switch, Gain Boost switch, Voicing L/M/H switch, 3 band EQ (Bass, Midrange, Treble), Depth, and Presence controls. 2 Master volumes, Standby & Power switches, 4 — Bias controls with test points, 5 LOUDSPEAKERS jacks, MIDI IN and THRU connections, and 2 MIDI programmable FX Loops (each with the following controls: Send Level, Return Level, Series/Parallel switch, Level switch) complete the amplifier. The Bias controls are a powerful feature and tool for exploring more tonal possibilities with the MEATHEAD amplifier. You can mix and match different tube types together for an almost unlimited range of tones. The audio path is switched via 42 relays with no solid state inline for a true 100% all tube analogue signal path.

Chassis mounted components are wired, "flying lead" style, to a 1/8" thick, 4oz weighted FR4 PCB. All ceramic tube sockets, sealed stainless steel shafted pots, metal switches, metal jacks, custom designed precision wound power, choke and output transformers are mounted to a 1/8" brushed aluminum chassis. Front and back panels are clear anodized brushed aluminum with laser etched lettering that will not wear off. Housed in a 3/4" birch-ply enclosure, accented with custom black aluminum anodized metal grills and a 1/4" thick machined aluminum logo plate. Premium components are used throughout, combined with solid, reliable design that will last a lifetime.

Features & Specifications:

- World Mains 100/110/120/220/230/240 VAC 50/60HZ
- Fully MIDI Programmable.
- 4 - BIAS locking pots and test points
- 8 - 12AX7s, 1 -12AT7, & 4 - Power tubes in any combinations of EL34, 6CA7, KT77, 6L6, 5881, KT66, 6550, KT88, KT90, KT100. Class-AB, 100 to 180 watts RMS
- Fully regulated DC preamp heaters for an ultra low noise floor
- Marriage of PCB and Point-to-Point assembly

For more information, please visit www.fortinamps.com

The Magneto Guitar

Magneto Guitars present its first two Electric Guitar models

Created by Christian Hatstatt in collaboration with Kei Yatsuzuka, the Magneto brand was born and established in Matsumoto, Japan and was launched in April 2009. The Magneto concept is to make a new type of electric guitars using high grade & seasoned woods, custom wound pickups, custom hardware, bone nut materials etc. … and to avoid any type of mass production. It is an old world style of manufacturing where the guitars are built by real experienced luthiers.

Magneto
The Magneto Sonnet

Based on original designs, all instruments are handmade by some of the world's finest luthiers using the highest-grade materials under very strict controls on quality and integrity of build. All parts are made in the same area and same country. The only items imported are the woods, CTS Pots, CRL Switch and Switchcraft Output Jacks.

The first two Magneto models, the Sonnet and the T-Wave, have a traditional influence with improvements in design. An improved weight balance is achieved by having a lighter body shape and giving more mass to the vibrating neck areas. The result being a lighter yet more dynamic guitar. Both models feature American alder, Canadian maple and East Indian rosewood.

Magneto
The Magneto T-Wave

All pickups are custom wound to have the perfect match. For example, on the Sonnet Guitar, where both humbuckers and single pickups are used, a perfect output balance is experienced when switching from the humbucker to the single-coil. We us Alnico 2, 3, and 5 rods as well as enameled AWG 42 wire to make our pickups. The hardware is made to Magneto specs by Gotoh in Japan.

The first Magneto Sonnet and T-Wave guitars will be available in the course of the fall 2009.

For more information, please visit www.magnetoguitars.com

Guitar

Gibson announces the the Billy Gibbons Pearly Gates Limited Edition Les Paul Standard

Gibson Custom has announced a guitar fit for every sharp dressed man, the Billy Gibbons Pearly Gates Limited Edition Les Paul Standard. And now you can own it. Billy Gibbons’ favorite axe has always been his beloved Pearly Gates – a rare 1959 Gibson Les Paul Standard with legendary angelic qualities. It has appeared on every track of every ZZ Top album to date, and sings with a “God-like voice” unlike any other guitar.


Photo Credit: Gibson Guitar

And now, the master craftsmen at Gibson Custom have recreated it in excruciating detail – right down to the last scratch and ding. Gibbons’ legendary Pearly Gates – a rare 1959 Gibson Les Paul Standard – is like no other guitar in the world. The Gibson Custom Shop and Billy Gibbons himself took painstaking steps to make sure the replica of this sacred instrument is true to its every form. There are three different models, all in very limited quantities.

Gibbons was a young musician weaned on blues and rock in Texas. After years of listening to such greats as Eric Clapton, Gibbons began his search for his first Les Paul guitar. His search included a ’58 Flying V but the guitar that he was destined to find and nickname “Pearly Gates” was a ’59 Les Paul. It didn’t come to Gibbons right away but through a girlfriend, a thirties model Packard automobile and part in a movie. Gibbons notes that in the early days of the band they acquired a Packard automobile. It was a huge vehicle that caused a stir on the road. Not long after they acquired the vehicle one of their girlfriends needed a way to get to California to try out for a movie part. The band gave her the Packard to get there and the girlfriend got the part.

Thinking the car had special powers, they named it “Pearly Gates.” Later the girlfriend sold the car to a collector and sent the money to the band. The money arrived the same day Gibbons got an offer to buy an old guitar, a ’59 Sunburst Les Paul, he bought it. After calling the girlfriend to discuss the circumstances both agreed that the money went for a good cause and since it came from the Packard they decided to keep the name “Pearly Gates” for the guitar and the rest is history. Billy continues to make divine music to this day on the legendary instrument. The ’59 Gibson Les Paul is one of the most desirable guitars today.

The Billy Gibbons ‘Pearly Gates’ Les Paul Standard will be produced in a very limited quantity of only 350 guitars – 250 will receive Gibson Custom’s patented V.O.S. finish, 50 will be aged to look exactly like the original Pearly Gates, and another 50 will aged and personally signed and played by Gibbons himself.


Photo Credit: Gene Kirkland

The Billy Gibbons Pearly Gates with photo print signed/framed, COA in Pearloid with black stamped lettering, case sock with signature and Pearl Gates printed on front, case lid with silk screened signature has an MSRP of $25,882 USD. The Billy Gibbons Pearly Gates with COA signed, case sock with signature and Pearly Gates printed on front, case lid with silk screened signature has an MSRP of $15, 294 USD. The Billy Gibbons Pearly Gates with COA, printed signature, case sock with signature and Pearly Gates, case lid with silk screened signature has an MSRP of $11,176 USD.

Else

NAMM SHOW 2009 Cont’d

Next
D.B. Musical
D.B. Musical’s booth featured a lot of interesting finishes, including this unusual granite-wrapped kit.

Ddrum
Many ddrum artists’ signature kits were on display, including setups for hard rock legend Carmine Appice and heavy metal monster Vinnie Paul.
This hybrid acoustic/electronic kit comes with internal triggers and shell-mounted XLR inputs.


Drum Workshop
DW’s vintage rock–style Classic series kit is available in a striking yellow “twisted satin” finish. This environmentally friendly Eco-X kit is made from sustainable bamboo/birch shells.


Dunnett / George Way
Dunnett and George Way Drums shared a booth space, with a special George Way kit taking center stage. Way has expanded to include Elkhart copper and Indy bronze snares.

Famous Drums
Famous Drums' Turbine snare features internal blades of wood to eliminate excessive ring and to create a naturally compressed sound.


Fidock
The Tasmanian blackwood kit shown at left is built using the same stave construction and wood-hoop design as Fidock's well-regarded snares. Fidock also introduced solid-shell snares that are built without reinforcing hoops.


Ford
New Maverick series snares have an indestructible textured finish.

This Organic series catabala kit (left) featured an incredible floor tom tone.


GMS
Revolution snares feature wood shells with sprayed metal on the inside and/or outside surfaces.

NEW!!

JUST INTRODUCED


Ahead
Ahead snare drums are now available with quick-release Brunson lugs, which are lightweight and easy to install. These lugs are also available separately.


C&C
C&C is now building drums using its own Gladstone shells


Canopus
This mahogany/poplar NEO-Vintage kit is designed to replicate the classic sound of ’60s rock.


Brady
In addition to displaying a plethora of high-end drums, including stave bamboo Kosaka tribute and wandoo block “Love Shack” snares, Brady made a big impact with a prototype thin-shell spotted gum kit.


Cadeson
Malaysian drum star Lewis Pragasam has a signature acrylic kit from Cadeson in the Glaze series.


Craviotto
Only a hundred of these gorgeous solid-copper Diamond series snare drums will be produced (fifty 51/2x14 and fifty 61/2x14).

Michael, Madonna & Marital Madness

For the fourth week in a row, the late Michael Jackson has continued to dominate the headlines and thus, dominate this blog. But some other big pop-star names also made news this week, so before we get to our starting-to-become-weekly MJ roundup, let's cover those stories first...

Celebrity breakups were suddenly in the spotlight this week, with three divas back on the singles scene. First, Jessica Simpson was reportedly dumped by her boyfriend since November 2007, Dallas Cowboy Tony Romo, on the eve of her 29th birthday--in the process ruining not only her lovelife and the last all-important year of her twenties, but plans for her big Barbie-themed birthday bash, which she subsequently cancelled. (On the night that the party was supposed to take place, Tony was spotted out clubbing with pals.)

A friend told People magazine: "Jessica was really blindsided. She's sad, mad, and confused. Her emotions are all over the place." Another source close to Jessica told E! News: "She was surprised. She wouldn't have planned a party if she knew this was coming. They're both going their separate ways."

As for the reason for the split, while some crude people speculated that it was Jessica's much-criticized/publicized weight gain that turned Tony off, other gossip sources reported that Tony became outraged after seeing text messages from Jessica's ex, John Mayer, on her cell phone. But whatever the cause of their breakup, all sources seem to agree that Jessica didn't expect her Romo romance to end, and that she is quite dejected over this split.

As for rumors that Jessica might possibly reunite with her former husband and Newlyweds costar Nick Lachey, who recently ended his own relationship with Vanessa Minnillo, the People magazine source dismissed that possibility, saying: "There is way too much bad blood between Nick and [Jessica's father/manager] Joe [Simpson] for Jessica to even think about it."

A perhaps less surprising split this week was the official and final divorce of troubled British diva Amy Winehouse and her infamous jailbird husband of two years, Blake "Incarcerated" Fielder-Civil. The couple spent much of their tabloid marriage apart, when Blake was jailed on assault charges only six months after their wedding. While Amy professed her undying love for her lesser half--often giving him shoutouts from the stage and wearing "Blake"-emblazoned hair accessories in her giant bouffant--earlier this year Blake filed for divorce on the grounds of her alleged infidelity.

Blake has often been blamed by the media and Amy's own long-suffering parents for introducing Amy to hard drugs and setting her on a self-destructive life path (Blake himself even once confessed this in a famous interview, claiming he'd "ruined something beautiful" and that Amy would be better off without his bad influence), and lately Amy does seem to be enjoying a healthier Blake-free lifestyle on the Caribbean island of St. Lucia. So we're hoping that Amy's divorce will give her a new lease on life and maybe even give her some inspiration in the studio: It's been almost three years since she recorded her breakthrough album Back To Black (much of which was inspired by her tumtultous early courtship with Blake), and we're beginning to worry if she'll ever be able to follow it up.

And finally, according to Us Weekly, Janet Jackson and her longtime boyfriend of almost seven years, music executive and recording artist Jermaine Dupri, have also called it quits. Jermaine was conspicuously absent at last week's memorial for Janet's aforementioned brother Michael, and a source told Us: "They have been moving in different directions for a while." Added another Janet friend: "You shouldn't mix business with pleasure. Janet felt their lives were too crossed [Jermaine had produced some of Janet's music] and they should have kept things separate."

That, of course, brings us to the latest Michael Jackson news. While the King Of Pop's autopsy results are still not due for another two weeks, his other sister LaToya Jackson told the media this week that she--much like her father Joe Jackson--suspects that Michael was murdered. LaToya also announced that a song she previously recorded to honor her family, "Home," will be reissued on July 28 as a tribute to Michael. Proceeds from the single will go to one of Michael's favorite charities, AIDS Project LA, and LaToya will apparently not do any marketing or promotion for the record--so this seems like a more tasteful venture than, say, Joe Jackson promoting his Ranch Records blu-ray label on the BET Awards red carpet.

And on the subject of Michael and unreleased songs, a 25-second clip of a previously unheard Michael tune posthumously leaked online this week. Titled "A Place With No Name," the song is an interpolation of America's 1972 classic "A Horse With No Name" and was recorded with the soft-rock group's permission. America's manager Jim Morey told TMZ: "The band was honored that Michael chose to do their song, and they hope it becomes available for all Michael's fans to hear."

Perhaps more disturbing was the unearthing of previously unreleased footage from Michael's 1984 accident on the set of the Jacksons' now-infamous Pepsi commercial, when Michael was severely burned in a pyrotechnics explosion. According to Us Weekly--the magazine that acquired and released the very disturbing and graphic footage--Michael was never quite the same after being set ablaze that day at L.A.'s Shrine Auditorium, and his addiction to various medications (and possibly to plastic surgery) began after he was prescribed several types of painkillers to ease the suffering from the second- and third-degree burns on his scalp and body. It makes us wonder, sadly, how Michael's life and career might have panned out, had this horrific fireworks accident never occurred that fateful day.

And finally, in other sad (but non-Michael-related) concert accident news, two workers were killed and eight others were injured this week in Marseille, France, due to the collapse of a stage being built for a (now understandably cancelled) Madonna concert. The cause of the stage's roof collapse is as of this writing still unknown, although a manslaughter investigation in currently underway.

Madonna honored the two deceased men during her concert in Udine, Italy on Thursday, the day of the accident, emotionally stating: "Before I continue the show, I just wanted to take a moment to acknowledge and pay tribute to two people who lost their lives today...Two men lost their lives, it was a great tragedy to me...I feel so, so devastated to be in any way associated with anyone suffering. Let's all just take a moment to say a prayer for [them]. Our hearts go out to their families and loved ones...We are so blessed and lucky to be alive."

Saturday, July 18, 2009

'America's Got Talent': Week 4 Highlights

NBC

"America's Got Talent's" national auditions moved on to New York City this week, with performances ranging from a 9-year-old blues guitar prodigy to a 74-year-old disco sensation to two singing hopefuls looking for second chances. Each performer is hoping to convince judges Piers Morgan, Sharon Osbourne, and David Hasselhoff to give them a chance to compete in Las Vegas, where America will vote on the best act. With a top prize of $1 million. The stakes are high, but that doesn't stop the judges from sending on some acts that probably won't make it past the first round. Below, Hulu takes a look at the week's highlights.

Tallan Nobel Latz
A 9-year-old who plays blues guitar? Sounds like perfect fodder for a talent show. With an interest in "rocky blues," this little soul man wows the audience with his technical prowess. As host Nick Cannon exclaims, "Tallan got talent!" The boy has class, too -- he says he'd like to win the prize money so his mom can quit her job and they can spend more time together.

Spiritual Harmonizers
Seven former postal workers, ranging in age from 21 to 76, came together 10 years ago to form a singing group. As the men harmonized Boyz II Men's "It's So Hard to Say Goodbye to Yesterday," the clear gospel tones of the lead singer got the audience on their feet, and even evoked a comparison to Stevie Wonder from Morgan.

Tony Ferrante
A 74-year-old retired barber, Tony Ferrante was fearless as he entertained the crowd -- and all but one skeptical judge -- with a freestyle disco number. He flaunted his smooth moves to Sylvester's disco hit "You Make Me Feel (Mighty Real)," unbuttoned shirt and all, as the crowd clapped the beat. While he didn't get Morgan's vote, the suave gent is going on to the next round.

The Platt Brothers
These three brothers -- who say they're best friends -- grew up without television, and had to come up with a lively way to keep themselves entertained. Dressed in baby blue track suits, the trio busts a move (and even breaks out a little miming) to get the audience going. Give it time, and you'll see these boys can flip.

Kari Callen
It seems each episode of "America's Got Talent" has the hopeful story of an artist who's overcome the odds to chase a dream. This week, radiology technician Kari Callen -- who has scars from a cleft lip and palate -- gets the judges on their feet with her rendition of "Somewhere (A Place for Us)" from West Side Story. The crowd's response leaves Callen in tears.

Matt and Anthony
What happens when two socially awkward guys are paired together as college roommates? In this case, you get a guitar/tap-dance duo. Matt and Anthony, who barely spoke to each other for months, finally connected when they realized they shared a passion for music and dance. Though their act doesn't have a name, it somehow works. We'll see them in Vegas.

Destined 2 Be
Indianapolis hip-hop dance crew Destined 2 Be knows how to put on a performance, popping their way through to Vegas. Their white glove robot-inspired moves entertained the audience, without missing a beat.

Mia Boostrom
Continuing a trend of young female singer-piano players on "America's Got Talent" (we say, "You go, girls!"), 16-year-old Mia Boostrom has returned to the "America's Got Talent" stage for her second chance -- she didn't make it past round 2 of last year's competition. Confident she now has what it takes to win a million dollars, she does a throaty version of "Georgia" with her very proud mom watching from the wings.

Kelli Glover
Former "American Idol" Season 1 contestant Kelli Glover put aside her dreams after getting voted off the show, working at a casino instead. Starting over fresh, her performance blew Hasselhoff away -- even getting him to exclaim "Girls from Jersey rock!" Will Glover go farther on "America's Got Talent?" Only time will tell.

Thursday, July 16, 2009

Pixies planning Hollywood-themed new album

Pixies frontman Black Francis has revealed that he is planning to record the band's first new album since 1991's Trompe Le Monde with a Hollywood film director.

Francis told NME.COM that he would like to work on a film and music tie-in project, but did not rule out recording a standard new album.

"The band needs to work with a film director," he told NME.COM. "Quentin Tarantino or someone like that. It'd be like, 'Make some music for our film, you guys [Pixies] be the sound of the film.' Spread the word about the idea 'cos I think it's gonna work."

The singer/guitarist added that if the band keep playing live he'd be interested in recording a more conventional album.

"We'd have to finally get sick of playing the old repertoire and go, 'Alright, f--k it. Let's play new songs in our set'," he explained. "But the only way we'd really want to do it is if it was really great.

"There's a fear that if we try to commit something to tape then even if it doesn't come out stellar, somehow those recordings will get leaked. The band is beloved by its audience, so we don't want to f--k it up."

M.J. Slumber-Partied With His Kids; Kept Joe Out

Michael Jackson's life has always been off the wall. But in the wake of his death, a more detailed portrait of his eccentric behavior and unusual—albeit playful—parenting skills is now beginning to emerge.

In an exclusive interview with E! News, Jack Wishna, a Las Vegas-based businessman who attempted to arrange a headlining series of comeback concerts with the late King of Pop in 2006 and 2007, opened up about his experience with Jackson, whom he described as "depressed and debilitated" during the last years of his life, but still a fun father.

Among the biggest revelations: Wishna talked about the music legend's penchant for overnight slumber parties with his three kids in the Sin City mansion that Wishna had arranged for them to live in.

Wishna, the president and CEO of CPAmerica Inc., first met Jackson in 2001, but didn't begin bandying about the idea for a Las Vegas residency gig for the "Thriller" singer until after the latter returned from living abroad, following his acquittal on child molestation charges.

Wishna told E! News that he had set Jackson up in a magnificent 16,000-square-foot spread (per property records) in December 2006, which the Moonwalker left a total "pigsty" upon moving out. On his first visit to the house, the promoter painted a predictable picture of life at the Jacksons.

"I'm looking around the house for him and I go into the master bedroom and there's no mattress on the bed. I go into another bedroom, there's no mattresses on the bed. I finally open up a room that was kind of like an empty room and all the mattresses are on the floor lined up so Michael can sleep there with the three kids," Wisha said.

However, Wishna was quick to note the impression left by the unusual sleeping arrangement was purely an innocent one.

"They can play. They can jump up and down. That's Michael," he added. "He was very comfortable in that Romper Room-type environment."

Wishna also insisted Jackson tried his hardest to be a good dad.

"He was a wonderful father. He loved them more than anybody in his family or anybody in the world," the promoter noted. "On the other side, he was tremendously childlike."

So childlike, in fact, that the superstar apparently never learned to clean up after himself.

"The day he moved out, the Christmas trees were still up [seven months later]," noted Wishna. "It was totally a mess."

Perhaps his laissez-faire attitude toward parenting was an effort to rebel against his own strict upbringing under his father, Joe Jackson.

Speaking of, Wishna stated how he often witnessed Jackson do his best to keep the family patriarch at arm's length. In one incident, he recalled how Joe phoned Wishna once in early 2007, begging to have Michael call his mother. On another occasion, the elder Jackson showed up one day at Jackson's Vegas house, only to be kept waiting outside the gate for nine-and-a-half hours.

"[Joe] left without seeing him...I believe Michael was tormented tremendously from his early childhood," he said.

Jackson subsequently broke off the Vegas venture with Wishna, opting to team up with AEG Live for the series of 50 shows at London's O2 Arena, which he was rehearsing for and which some, including his former business associate, suggest he was unprepared for—which may have led to his June 25 death.

When Wishna did learn the worst, he confessed his first thought was that Michael was finally "at peace."